When you’ve been working in a particular manner or with a
material for many years you risk becoming comfortable and familiar with it and
forget that there may be potential for new directions yet undiscovered.
Sketchbook studies for torch-fired enamel
One of the great pleasures of stumbling onto an exciting new
material, process, or technique is the honeymoon period when you get to search*
out everything about it. It’s a time of being a beginner again. With experience
you get the advantage and awareness that there are possibilities and applications
of the information you’re learning. Yet you don’t worry too much about what
exactly it’s going to be or how to apply it, you’re just eager to be in that
zone of possibility.
Jeweler and consummate metalsmith Andy Cooperman once said
there were two fundamental approaches to the learning process ~ the dove and
the bulldog. The dove reads the instructions, follows the guidelines, practices
established principles, and gets predictable results. The bulldog grabs the
material by the throat, shakes it up, ignores the rules, and often makes a mess of
things, but learns limitations and new possibilities. Each has their
advantages.
I confess that with my own work I’m a bit of a dove and I
tend to approach a new material that way. But then I believe it’s a good idea to
be the bulldog.
Right now I’m firing the hell out of white enamel and I’m hoping
the honeymoon turns into a long fruitful relationship.
Studies for possible enamel pieces
Yes, these are only white enamel, torch-fired to develop the colors
The same piece fired three different times with only
a red glass thread added in the last.
*Research: the systematic
investigation into and study of materials and sources in order to establish
facts and reach new conclusions. Search, then RE-search the thing.
"A craftsman knows what he's going to make and an artist doesn't know what he's going to make, or what the finished product is going to look like."
ReplyDelete-Ken Price, 1993
Check his posthumous retrospective at the LACMA
http://www.arcspace.com/exhibitions/unsorted/ken-price-sculpture-a-retrospective/
Love love love your work! Can I ask what brand of white enamel you are using? I have white Ferro Sunshine enamel I plan to try on copper...Thank you!
ReplyDeleteMelissa ~ the Ferro white porcelain enamel doesn't provide the variation of color with the torch. I'm using the Thompson liquid #533 white.
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